Substance Abuse in the Workplace

Broken window concept

The â€Å"broken window† idea is among the most well known structures, intended for better comprehension of the idea of wrongdoing and its anticipation. George Kelling was the main criminologist, who proposed that even minuscule issues are noticeable †for example, a messed up window focuses to the house owner’s obliviousness and lack of interest. The paper is proposed to talk about the idea and its application in details.â€Å"The quintessence of â€Å"broken windows† is that local issue â€physical rot, for example, spray painting, litter and decrepitude; and minor offense, for example, open drinking and vagrancy †will, whenever left unchecked, signal potential reprobates that nobody is watching† (Miller, 2001, p. 27). This implies, grave wrongdoings start with minor offenses, and famous crooks like sequential executioners regularly ‘begin with’ medication or liquor misuse, which develop into social pathology, continually fortifie d by the conviction in the general tolerance (Miller, 2001).Conversely, while disposing of the hints of minor unfortunate activities like litter and spray painting out in the open places, the guests become increasingly faithful about the general open wellbeing in this spot. From the outset, the idea was applied in trams: Bratton, who got a bit of â€Å"broken window† guidance from Kelling and consequently composed: â€Å"Fare avoidance was the greatest broken window in the travel framework. We were going to fix that window and see that it didn’t get broken again† (Miller, 2001, p.28). In this way, the gathering expanded the quantity of police officers, expected to distinguish the stowaway travelers †thus, they found that some of these ‘wrongdoers’ conveyed unlawful arms and some of them had light medications like pot. At long last, the metro turned out to be a lot of cleaner and more secure, as the quantity of battles and clashes generously dim inished. Afterward, Mr. Bretton was recruited as New York police chief, doled out to battle with road prostitution.Violent and forceful conduct and open drinking. The official of the law requirement organization presented new modernized frameworks of reconnaissance out in the open places and expanded the staff of the office â€as an outcome, the quantity of lawful offense wrongdoings fell past the normal lessening of the previously mentioned misdeeds (Miller, 2001). Then again, the reasons for wrongdoing are as yet ambiguous, as a complex of variables contribute. Most investigations, be that as it may, exactly affirmed the â€Å"broken window† idea.For example, Skogan directed archive examination and examined the previous overviews in excess of 40 regions. â€Å"He found that proportions of social and physical rot associated with specific sorts of genuine crimes† (Miller, 2001, p. 28). Then again, new deterrents to policing rose. As Kelling notes (1999), proactive wa y to deal with policing (anticipation of wrongdoings through incorporating the â€Å"broken window† idea) is these days seen by open as â€Å"soft policing†.On the other hand , â€Å"Community policing is characteristically proactive: check for issues; analyze them; attempt to keep them from happening once more; in the event that they repeat, attempt to restrain the harm and reestablish the person in question/family/community’s functioning† (Kelling, 1999, p. 10). This implies, network policing frequently includes considerably more endeavors than â€Å"crime fighting†, as for this situation the official or the cop goes about as a key expert, expected to be able to envision problems.Kelling’s way to deal with policing intrinsically incorporates ordinary meetings with network individuals, which implies, cops should stay in contact with the occupants so as to distinguish the talk about the issues the network individuals are worried about. What' s more, the working of the entire law authorization contraption ought to be increasingly straightforward for network individuals, I. e. they ought to have a chance to become familiar with the purposes behind their neighbor’s capture, for example, as this measure is probably going to go about as an obstacle for other people and an update about the policy’s care about open safety.On the other hand, various pundits communicated their dread of the conceivable propensity for the development of the â€Å"soft policing† and the generous end of receptive and radical measures. In this sense, Kelling affirms: â€Å" The way that police add choices to their collection of strategies, attempt to restrain harm and reestablish working doesn't imply that regular decisive law authorization is prohibited as an authentic police tactic.For model, understanding the elements of New York City’s â€Å"squeegee men† â€unwanted vehicle window washers who scare drivers i nto giving them cash †and conversing with them did nothing to discourage their behavior† (Kelling, 1999, p. 11). By the by, as one can comprehend, common law can be utilized by the police †as Kelling states, the new activities including such punishments like relinquishment, compensation and common fines are set upon those carrying out abusive behavior at home, illicit weapons ownership or uncover forceful bigot behavior.This implies, a discipline ought to allude to the least conceivable intercession into the person’s life: for example, if a criminal isn't forceful or hazardous and hasn’t perpetrated grave wrongdoing, capture is probably going to seem an excess measure. To summarize, the ‘broken window’ way to deal with policing alludes not only to the end of minor wrongdoings, yet additionally to the general anticipation of aberrance and increasingly broad utilization of common freedoms in the issues like discretion.In general, Kerllingâ₠¬â„¢s position is positivistic, as he sees people as fundamentally trained and honest, however so as to build open mindfulness in the significance of citizens’ own endeavors in the circle of open wellbeing, it is essential to give them that the police are delicate and responsive even to the minor offenses. Reference list Miller, D. (2001). Jabbing Holes in the Theory of ‘Broken Window’. Account of Higher Education, 2: 27-34. Kelling, G. (1999). â€Å"Broken Windows† and Police Discretion. National Institute of Justice Research Report. Accessible online at: http://www. ncjrs. organization/pdffiles1/nij/178259. pdf

Blog Archive Friday Factoid Preparing for Cold Calls at Darden

Blog Archive Friday Factoid Preparing for Cold Calls at Darden MBA students at the University of Virginia’s Darden School of Business are known to work quite hard amid the rigors of the case method. Each day, they are expected to read a business case and perform their own analysis of the situation presented. Then, they must compare and reason through their analysis with a small, diverse group of fellow studentsâ€"their Learning Team. Students can often spend two to four hours prepping on their own and then two to three more with their teammates to arrive at  an  answer  (as opposed to  the  answer). And what might be the reward for all this work? The student may be selected for a “cold call” to start off the class. At Darden, most first-year and some second-year classes begin with a professor randomly selecting a student to lead the day’s discussion by presenting his/her case analysis. This student can be subjected to anywhere from five to 20 minutes of questioning, as the professor teases out key points of discussion for the broader class to explore. Many a student has sweated through a cold call, only to gain the applause of  his/her peers  at the end. (Others, of course, may not do as well.) These cold calls can be daunting, but they force students to prepare thoroughly and think on their feetâ€"a key feature of the Darden learning experience. For more information on Darden and any of 15 other leading MBA programs, check out the  mbaMission Insider’s Guides. Share ThisTweet Friday Factoids University of Virginia (Darden) Blog Archive Friday Factoid Preparing for Cold Calls at Darden MBA students at the University of Virginia’s Darden School of Business are known to work quite hard amid the rigors of the case method. Each day, they are expected to read and complete their own analysis of a case and then compare and reason through their analysis with a small, diverse learning team of fellow students. Often, students can spend two to four hours prepping on their own and then two to three more with their teammates to arrive at  an  answer  (as opposed to  the  answer). And, what can be the reward for all of this? They may just be selected for a “cold call” to start off the class. At Darden, most first-year classes and some second-year classes begin with a professor randomly selecting a student to lead the day’s discussion with his/her case analysis. This student can be subjected to anywhere from five to 20 minutes of questioning, as the professor teases out key points of discussion for the broader class to explore. Many a student has sweated through a cold call, only to gain the applause of  his/her peers  at the end. (Others, of course, may not do as well.) The cold calls can be daunting, but it forces students to prepare thoroughly and think on their feetâ€"a key feature of the Darden learning experience. For more information on Darden and any of 15 other leading MBA programs, check out the  mbaMission Insider’s Guides. Share ThisTweet Friday Factoids University of Virginia (Darden) Blog Archive Friday Factoid Preparing for Cold Calls at Darden MBA students at the University of Virginia’s Darden School of Business are known to work quite hard amid the rigors of the case method. Each day, they are expected to read and complete their own analysis of a case (a narrative that details a business problem) and then compare and reason through their analysis with a small, diverse group of fellow students (in the form of their Learning Team). Often, students can spend two to four hours prepping on their own and then two to three more with their teammates to arrive at  an  answer  (as opposed to  the  answer). And, what can be the reward for all of this? You may just be selected for a “cold call” to start off the class. At Darden, most first-year classes and some second-year classes begin with a professor randomly selecting a student to lead the day’s discussion with his/her case analysis. This student can be subjected to anywhere from five to 20 minutes of questioning, as the professor teases out key points of discussion for the broader class to explore. Many a student has sweated through a cold call, only to gain the applause of  his/her peers  at the end. (Others, of course, may not do as well.) The cold call can be daunting, but it forces students to prepare thoroughly and think on their feetâ€"a key feature of the Darden learning experience. For more information on Darden and any of 15 other leading MBA programs, check out the  mbaMission Insider’s Guides. Share ThisTweet Friday Factoids University of Virginia (Darden) Blog Archive Friday Factoid Preparing for Cold Calls at Darden MBA students at the University of Virginias Darden School of Business are known to work quite hard amid the rigors of the case method. Each day, they are expected to read and complete their own analysis of a case (a narrative that details a business problem) and then compare and reason through their analysis with a small, diverse group of fellow students (in the form of their Learning Team). Often, students can spend two to four hours prepping on their own and then two to three more with their teammates to arrive at  an  answer  (as opposed to  the  answer). And, what can be the reward for all of this? You may just be selected for a “cold call” to start off the class. At Darden, most first-year classes and some second-year classes begin with a professor randomly selecting a student to lead the days discussion with his/her case analysis. This student can be subjected to anywhere from five to 20 minutes of questioning, as the professor teases out key points of discussion for the broader class to explore. Many a student has sweated through a cold call, only to gain the applause of  his/her peers  at the end. (Others, of course, may not do as well.) The cold call can be daunting, but it forces students to prepare thoroughly and think on their feetâ€"a key feature of the Darden learning experience. For more information on Darden and any of 15 other leading MBA programs, check out the  mbaMission Insider’s Guides. Share ThisTweet Friday Factoids University of Virginia (Darden) Blog Archive Friday Factoid Preparing for Cold Calls at Darden UVA Darden MBA students at the University of Virginia’s Darden School of Business are known to work quite hard amid the rigors of the case method. Each day, they are expected to read a business case and perform their own analysis of the situation presented. Then, they must compare and reason through their analysis with a small, diverse group of fellow studentsâ€"their Learning Team. Students can often spend two to four hours prepping on their own and then two to three more with their teammates to arrive at  an  answer  (as opposed to  the  answer). And what might be the reward for all this work? The student may be selected for a “cold call” to start off the class. At Darden, most first-year and some second-year classes begin with a professor randomly selecting a student to lead the day’s discussion by presenting his/her case analysis. This student can be subjected to anywhere from five to 20 minutes of questioning, as the professor teases out key points of discussion for the broader class to explore. Many a student has sweated through a cold call, only to gain the applause of  his/her peers  at the end. (Others, of course, may not do as well.) These cold calls can be daunting, but they force students to prepare thoroughly and think on their feetâ€"a key feature of the Darden learning experience. For more information on Darden and any of 15 other leading MBA programs, check out the  mbaMission Insider’s Guides. Share ThisTweet Friday Factoids University of Virginia (Darden)

Go Ahead and Party After Learning to Conjugate Fêter

The verb  fà ªter  is just one word for to celebrate, to party, or to feast in French. Another option is  cà ©là ©brer  and while that may be easier to remember,  fà ªter  is easier to conjugate, so you have some choices about which to use. If you like the simpler conjugations, lets take a look at how its done with  fà ªter. Conjugating the French Verb  Fà ªter Fà ªter  follows a very common verb conjugation pattern. If youve worked with other  regular -ER verbs, then this lesson should be pretty straightforward. Even if this is your first verb of this style, you can take what you learn here and apply it to words like  donner  (to give),  fermer  (to close), and countless others. Before any verb conjugation, we have to identify the verb stem. For  fà ªter, this is  fà ªt-. It is to this stem that we attach a variety of infinitive endings. The challenge in French is that theres a new ending for every subject pronoun within each of the present, future, and imperfect past tenses. That means you have more words to learn, but you will get the hang of it. For example, in order to say I am celebrating, use je fà ªte or to say we will party, use nous fà ªterons. Practicing these in context makes them easier to remember. Subject Present Future Imperfect je fte fterai ftais tu ftes fteras ftais il fte ftera ftait nous ftons fterons ftions vous ftez fterez ftiez ils ftent fteront ftaient The Present Participle of  Fà ªter To use the  present participle  of  fà ªter  as a verb, adjective, noun, or gerund, add -ant  to the verb stem. This results in the present participle of  fà ªtant. The Past Participle and Passà © Composà © The  past participle  of  fà ªter  is  fà ªtà ©. This is used to form the past tense known as the  passà © composà ©. You will also need to conjugate the  auxiliary verb  avoir  to fit the subject pronoun. As an example, I partied is jai fà ªtà ª and we celebrated is nous avons fà ªtà ª. More Simple  Fà ªter  Conjugations to Learn When the act of celebrating is not guaranteed, you will find a  use for the subjunctive verb mood. In a similar fashion, the conditional verb form implies that the celebrating is dependent on something else. The passà © simple is often reserved for formal writing. While you may not use it often, knowing both it and the imperfect subjunctive form  will improve your French reading skills. Subject Subjunctive Conditional Pass Simple Imperfect Subjunctive je fte fterais ftai ftasse tu ftes fterais ftas ftasses il fte fterait fta ftt nous ftions fterions ftmes ftassions vous ftiez fteriez fttes ftassiez ils ftent fteraient ftrent ftassent The imperative verb form is particularly useful for  fà ªter  because its often used in exclamations and short statements. When using it, feel free to drop formality and skip the subject pronoun: tu fà ªte becomes fà ªte. Imperative (tu) fte (nous) ftons (vous) ftez

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A Caribbean Legacy Essay - 1182 Words

A Caribbean Legacy The notions of slavery, colonialism, and race are indelible aspects of Caribbean history. In order to fathom the current political, social, economic, and cultural climate of the Caribbean one must engage in a critical study and understanding of the impact slavery has had in modern day Caribbean societies. The modes and intricacies of modern day Caribbean societies are intimately related to the plantation systems of the colonial period, which welcomed the arrival of the largest migration in history. Author Michelle Cliff, in her essay If I Could Write This With Fire, attempts to make sense of the current deplorable social conditions of racial inequality in her native land of Jamaica. It is within this context of†¦show more content†¦Moreover, this hierarchy of shade suggests that whiteness is equated with prestige, power, and wealth while blackness is equated with a lack of culture, a lack of identity, and essentially a lack of autonomy. Cliff, by means of her literature, attempts to unearth the reasons why many of us became light skinned very fast†¦ traced ourselves through bastard lines to reach the duke of Devonshire, the earl of Cornwall. Thus, in an almost disgusted tone, Michelle Cliff discusses the advantages of having light skin by stating: Those of us who were light skinned, straight haired, etc., were given to believe that we could actually attain whiteness, or at least those qualities of the colonizer which made him superior. We were convinced of white supremacy†¦ Under this system of colorism, the system which prevailed in my childhood in Jamaica- and which has carried over to the present, rarely will dark and white people co-mingle. 2 Intimately related to the issue of slavery in the Caribbean is the issue of identity. Historian Franklin Knight describes the Caribbean identity crisis imposed by a colonial and slave ridden past as a fragmented nationalism. 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Edifying Manet/Velazquez Essay Example For Students

Edifying Manet/Velazquez Essay If the works of Edouard Manet seem to you a little out of place in the all-too-frequent blockbusters of French impressionist art, youre right. His clear-edged, close-to-the-picture plane, patterned figures and scenes never fit in with the fluffy brushwork and pastel colors of fellow impressionists Claude Monet, Camille Pissarro and Auguste Renoir. Youll see why when you visit the not-to-be-missed Manet/Velazquez: The French Taste for Spanish Painting exhibit at the Metropolitan Museum of Art in New York City. For the first time, visitors can view the paintings of Manet and  Diego  Velazquez  side by side, enlightening juxtapositions previously limited to reproductions. You will have to hurry to see the show. This unparalleled gathering of works from more than 70 museums and private collections in 13 countries runs through June 29. Velazquezs bold handling of paint, the way he used light on form and color, and his use of shadow rather than line to create space mesmerized the younger, French artist when he first became aware of the Spanish masters work. The two artists brought together here for the first time lived two centuries apart in different countries. Velazquez  (1599-1660) was a key contributor to what has been called Spains Golden Age and was court painter to King Philip IV in Madrid. Manet (1832-83) lived and worked in Paris and always has been grouped with the French impressionist movement begun by Monet in 1874. While sharing Monets preoccupation with the effects of light, Manet used light in strong, even harsh, ways. The exhibits thesis is conceptually simple, yet complex in its art historical elaboration. It proposes that during the 19th century, the realism of Spain supplanted that of the Italian Renaissance as the chief inspiration of French painters such as Eugene Delacroix and Gustave Courbet, as well as Manet. To reinforce its argument, the exhibit adds Spanish artists such as Francisco Goya, Bartolome Esteban Murillo, Jusepe de Ribera and Francisco de Zurbaran to its in-depth showing of  Velazquez. The exhibit demonstrates that Americans caught the bug, too. After observing the Spanish influence on the French artists, painters James McNeill Whistler, Thomas Eakins , William Merritt Chase, Mary Cassatt and John Singer Sargent all embraced Iberian art in their turn. Metropolitan Museum director Philippe de Montebello describes the shows mission succinctly: Once  Velazquez  supplanted Raphael on the throne of high art, the world of painting was made anew. It came just in time to counter the sleek idealism of such neoclassical painters as Jean Auguste Dominique Ingres and Jacques Louis David. In a word, Spanish influence revolutionized both the art of the time and the modernism that followed, a point the exhibit thoroughly almost too thoroughly illustrates. The exhibit hits viewers between the eyes by leading with paired portraits, The Jester Pablo de Valladolid (circa 1632-33) by  Velazquez  and The Tragic Actor (Rouviere as Hamlet) (1865-66) by Manet. Mounted by themselves on a deep-tomato red wall, they pack an unusually powerful punch. It could be said that the  Velazquez, loaned by the Museo del Prado in Madrid, and the Manet, from the National Gallery of Art, sum up the exhibit. You could bask in their glory and then go home but dont. Theres much, much more to see, including a large gallery of early Spanish paintings by Ribera, Murillo and Zurbaran; an in-depth view of Goya; a room devoted to Manets work that includes such major works as The Balcony, The Dead Toreador, Mlle V in the Costume of an Espada, Beggar With Oysters and The Execution of Emperor Maximilian; and a dazzling room of Sargents, Whistlers and Cassatts. Manet had been especially taken with  Velazquezs Jester when he first saw it. He liked  Velazquezs unconventional choice of subjects a lower-class person rather than a Spanish court noble. Manet admired the Spanish artists obvious, but distanced, sympathy for the man whose chief job was to entertain the king. He was to paint The Tragic Actor some 230 years later. .u8fdebd38c704f3f4d52bb71677af152a , .u8fdebd38c704f3f4d52bb71677af152a .postImageUrl , .u8fdebd38c704f3f4d52bb71677af152a .centered-text-area { min-height: 80px; position: relative; } .u8fdebd38c704f3f4d52bb71677af152a , .u8fdebd38c704f3f4d52bb71677af152a:hover , .u8fdebd38c704f3f4d52bb71677af152a:visited , .u8fdebd38c704f3f4d52bb71677af152a:active { border:0!important; } .u8fdebd38c704f3f4d52bb71677af152a .clearfix:after { content: ""; display: table; clear: both; } .u8fdebd38c704f3f4d52bb71677af152a { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u8fdebd38c704f3f4d52bb71677af152a:active , .u8fdebd38c704f3f4d52bb71677af152a:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u8fdebd38c704f3f4d52bb71677af152a .centered-text-area { width: 100%; position: relative ; } .u8fdebd38c704f3f4d52bb71677af152a .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u8fdebd38c704f3f4d52bb71677af152a .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u8fdebd38c704f3f4d52bb71677af152a .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u8fdebd38c704f3f4d52bb71677af152a:hover .ctaButton { background-color: #34495E!important; } .u8fdebd38c704f3f4d52bb71677af152a .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u8fdebd38c704f3f4d52bb71677af152a .u8fdebd38c704f3f4d52bb71677af152a-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u8fdebd38c704f3f4d52bb71677af152a:after { content: ""; display: block; clear: both; } READ: Las Meninas EssayThe Frenchman was to learn from the Spaniards radical placing of the figure, his limited range of colors, the quick brush strokes that imply rather than delineate, and the sharp juxtaposition of the flat, ambiguously spatial background. Manet had always been interested in Velaquezs visual approach when he saw his paintings in France, but it wasnt until after Manets trip to Spain in 1865 that he came to understand the Spaniards genius. He painted The Actor within a year of his return home. Like  Velazquez, Manet gave the real figure an intense immediacy. He underlined the presence by using a limited palette and emphasizing the hands and face by lighting only them. The exhibit guides the viewer through galleries illustrating what French painters could see in France during Manets time (Spanish Painting in France: Late 18th and Early 19th Centuries) and on to a gallery of Goyas, including his famous Majas on a Balcony. A room of work by the Spanish painters Zurbaran, De Ribera and Murillo, who influenced Manet as well as other French artists such as Courbet, follows. This gallery includes De Riberas famous The Beggar (The Club-foot). In the splendid gallery devoted to Manet, the focus is the artists large, horizontal The Balcony of 1868-69, a work that combines the art of the Spanish masters with everyday Parisian life. It clearly relates to Goyas Balcony in the previous room. Manet had briefly seen a family on vacation, and that memory may have inspired this composition. He placed artist and future sister-in-law Berthe Morisot, wearing the come-hither-look of Spanish majas, at the left (it is said he fell in love with Morisot when he first met her in Paris, but he already was married; she later married his brother). Two more friends, a female violinist and an artist, acted as models for the two other figures. He placed a boy with a ewer, a motif from Spain, in the background. One of Manets favorite paintings, he kept it in his studios until his death. The artist painted Mlle V in the Costume of an Espada partly in fun. The elegant, amusing redhead with white porcelain skin was one of his favorite models. He dressed her in the costume of a male toreador, but she looks out at us rather than the bull. Behind, a picador jabs the animal with a weapon in what was the first round of a bullfight. Manet lifted the scene in the back from one of Goyas etchings of bullfights. The museum also includes a self-portrait, Self-Portrait With Palette (1878-79), in the show. It is one of his rare images of himself and clearly an homage to the self-portrait  Velazquez  placed in his great work, Las Meninas. The gallery display climaxes with Manets gigantic The Execution of Emperor Maximilian. Napoleon III had placed Maximilian on Mexicos throne in what had been called the French monarchs disastrous Mexican adventure. Manet was so enraged when he heard the news in 1867 that he decided to make a large, history painting from the event. Manet had seen in the Prado Goyas rendering of the heroic Spanish uprising in Madrid on May 2, 1808, and based his work on it. Manet tightly grouped his executioners to the right. He pulls visitors eyes to the inescapable image of the falling emperor at left through the repeated, vertical lines of the smoking rifles. The paintings size and bold, dramatic composition make it one of Manets greatest works. It doesnt take this 130-work show to drive the point home that art feeds off other art. The exhibit successfully does this with glistening, powerful works, but if the works werent so important and enjoyable on their own terms, the curators could be accused of laboring to prove what is virtually self-evident. .ud3f10ca78a171d002fb105748ae193fa , .ud3f10ca78a171d002fb105748ae193fa .postImageUrl , .ud3f10ca78a171d002fb105748ae193fa .centered-text-area { min-height: 80px; position: relative; } .ud3f10ca78a171d002fb105748ae193fa , .ud3f10ca78a171d002fb105748ae193fa:hover , .ud3f10ca78a171d002fb105748ae193fa:visited , .ud3f10ca78a171d002fb105748ae193fa:active { border:0!important; } .ud3f10ca78a171d002fb105748ae193fa .clearfix:after { content: ""; display: table; clear: both; } .ud3f10ca78a171d002fb105748ae193fa { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud3f10ca78a171d002fb105748ae193fa:active , .ud3f10ca78a171d002fb105748ae193fa:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud3f10ca78a171d002fb105748ae193fa .centered-text-area { width: 100%; position: relative ; } .ud3f10ca78a171d002fb105748ae193fa .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud3f10ca78a171d002fb105748ae193fa .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud3f10ca78a171d002fb105748ae193fa .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud3f10ca78a171d002fb105748ae193fa:hover .ctaButton { background-color: #34495E!important; } .ud3f10ca78a171d002fb105748ae193fa .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud3f10ca78a171d002fb105748ae193fa .ud3f10ca78a171d002fb105748ae193fa-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud3f10ca78a171d002fb105748ae193fa:after { content: ""; display: block; clear: both; } READ: Las Meninas EssayIf you cannot make it to New York for the show, Accenture, the exhibits sponsor, adapted Manet/Velazquez for the Internet, enabling visitors to see the exhibit online. Accenture says it created the site (www.metmuseum.org) with its partner, Microsoft.